Europäische Medienwissenschaft - Forschung - Ausstellungen

The real virtual DIGAREC In-Game Photo Gallery is a virtual social gallery space that shows a number of in-game photographical works which were produced by students of European Media Studies. The exhibition presents the results of their practical explorations of the medium of in-game photography as participants of three university seminars on the subject focusing on different topics: “Medial Environments, Milieus and Landscapes” (class of 2016), “Machines_ _Ethics; _Poetry; _Politics; _Poetics” (class of 2018), “Media Reflexivity” (class of 2019/20). This exhibition exists only online and makes use of the virtual meeting tool Mozilla Hubs. It is designed by Lars Pinkwart and curated by Sebastian Möring.

Artworks by:
Aaron Richmond, Alexandra Günther, Barış Aydınlı, Celine Pilch, Christine Laqua, Daniel Latzel, David Gatidis, Dulguun Shirchinbal, Elise Kunze, Emily Hadrich, Fabian Brandtner, Finn Wittforth, Friederike Sophie Schulz, Hendrik Fischer, Jasmin Lehmann, Karoline Mushak, Laura Willikonsky, Lennart Mackies, Lisa Hein, Luzie Müller, Marian Billing, Marie-Lena Höftmann, Maurice Matthieu, Nadja Scherfy, Oliver Thurau, Philipp Röbke, Pia Zdila, Sandra Buttress, Sarah Töteberg, Stefanie Löbel, Till Schöneich, Ugur Yildirim.

In-game photography has been a research focus of DIGAREC (Digital Games Research Center at the University of Potsdam) since 2016: We have been researching the subject in the context of international workshops and university seminars. In recent years the scholarly, artistic, as well the economic interest in in-game photography has been on a constant rise. More and more academic literature gets published, exhibitions are being held in prominent museums such as the Centre George Pompidou, and ever more games come equipped with a photo-mode by default. In-game photography“describes a multitude of practices and technologies in which photography and video games Interact“ and it contains diverse practices such as „placing a DSLR in front of the unfolding events on the screen, using a video game's photo mode to take a picture, or playing a game where the use of the camera is simulated“ (Möring & de Mutiis 2019:70).

		Ausstellung 'The Taking of Berlin ABC'

Ausstellungsposter (JPG \| 1004 KB)		Das Master-Seminar 'The Taking of Pelham 123', haben im SS 2019 eine Ausstellung zum Thema 'Die U-Bahn als Infrastruktur und Wahrnehmungsraum' konzipiert, die am Mittwoch, den 22. Januar eröffnet wird. Von dort an können am Neuen Palais in Haus 1 alle Exponate, Ideen und Bildexperimente angeschaut, angefasst und/oder angehört werden. Wann? Mittwoch, 22. Januar, 17 Uhr Wo? Haus 1, Am Neuen Palais, im 1. Stock *Kuratorinnen:** David Hutzel, Heiko Christians (Kursleitung), Isabelle Knipsel, Judith Pietreck, Julia Mösch, Kai Knörr, Kira Huth, Konstanze Stoll, Marie Konrad, Nina Tschirner, Paula Hanoldt, Pia Humbert, Robert Horvath, Sophie Jacobs

		Real virtual DIGAREC In-Game Photo Gallery

The real virtual DIGAREC In-Game Photo Gallery		The real virtual DIGAREC In-Game Photo Gallery is a virtual social gallery space that shows a number of in-game photographical works which were produced by students of European Media Studies. The exhibition presents the results of their practical explorations of the medium of in-game photography as participants of three university seminars on the subject focusing on different topics: “Medial Environments, Milieus and Landscapes” (class of 2016), “Machines_ _Ethics; _Poetry; _Politics; _Poetics” (class of 2018), “Media Reflexivity” (class of 2019/20). This exhibition exists only online and makes use of the virtual meeting tool Mozilla Hubs. It is designed by Lars Pinkwart and curated by Sebastian Möring. Artworks by: Aaron Richmond, Alexandra Günther, Barış Aydınlı, Celine Pilch, Christine Laqua, Daniel Latzel, David Gatidis, Dulguun Shirchinbal, Elise Kunze, Emily Hadrich, Fabian Brandtner, Finn Wittforth, Friederike Sophie Schulz, Hendrik Fischer, Jasmin Lehmann, Karoline Mushak, Laura Willikonsky, Lennart Mackies, Lisa Hein, Luzie Müller, Marian Billing, Marie-Lena Höftmann, Maurice Matthieu, Nadja Scherfy, Oliver Thurau, Philipp Röbke, Pia Zdila, Sandra Buttress, Sarah Töteberg, Stefanie Löbel, Till Schöneich, Ugur Yildirim. In-game photography has been a research focus of DIGAREC (Digital Games Research Center at the University of Potsdam) since 2016: We have been researching the subject in the context of international workshops and university seminars. In recent years the scholarly, artistic, as well the economic interest in in-game photography has been on a constant rise. More and more academic literature gets published, exhibitions are being held in prominent museums such as the Centre George Pompidou, and ever more games come equipped with a photo-mode by default. In-game photography“describes a multitude of practices and technologies in which photography and video games Interact“ and it contains diverse practices such as „placing a DSLR in front of the unfolding events on the screen, using a video game's photo mode to take a picture, or playing a game where the use of the camera is simulated“ (Möring & de Mutiis 2019:70).